The most common release is 1.2.2, with over 98 of all installations currently using this version.Relative to the overall usage of users who have this installed on their PCs, most are running Windows 7 (SP1) and Windows 10.
While about 34 of users of Sonic Charge Synplant come from the United States, it is also popular in Italy and France. Help others learn more about this software, share your comments. Synplant is at turns metallic and clangourous, evocative and atmospheric, searing and stabbing. When you purchase through links on our site, we may earn an affiliate commission. Oh sure, there are different algorithms and methods of sound generation, but the approach has rarely stepped off of the familiar path of oscillator, filter and amp. You can understand, then, why our interest was piqued when we first set eyes on Synplant; with absolutely no faux wood panels or incandescent VU meters, it offers little in the way of familiarity. Overview Synplants developers have devised a cross-platform plug-in that sheds the usual synthesizer paradigm in favour of a genetic approach to sound design. The seemingly simple GUI hides a deep instrument capable of producing a wide variety of interesting sounds. The seed is encircled by a so-called key ring that is divided into a dozen segments, each representing one of the 12 notes comprising an octave. Branches can be dragged from the centre of the seed to the surrounding edge of the key ring. Each note has a different sound, depending on the branch associated with it. When you have a sound you like, you can take that particular branch as a fresh starting point. ![]() Theres an option to save a preset at any point, and Synplants undo and redo functionality comes in handy if you wander down a path that proves to be sonically unfruitful and wish to return to an earlier point. The bulb described above is encircled by a quartet of sliders. ![]() ![]() The Release slider tailors the time of the release envelope, while Effects enables one to dial in Synplants built-in effect, described as a chorusing reverb. All of these do what youd expect with the caveat that they have a direct relationship with the state of the genome. Represented as a DNA double helix, each gene corresponds to a parameter, with an associated slider to adjust the value. There are 37 genes, granting access to things like FM amount, envelope times and LFO balance, etc. Of course, theres a synth at the core of it all, with a pair of oscillators that generate simple waveforms, along with filters, noise generators, envelope and effects. If you think the genome editing will take the mystery away, think again. See, changes to the genome only affect the seed itself, which is, in turn, the basis for the sound produced by the branches. Modifying the genes might produce the effect you expect, but dont bank on it Our only grumble is that, as obviously slick as the genome editor is, the parameter names are pretty cryptic, and all the values range from 0 to 1. Back in the main GUI, three more sliders affect the scaling of the mod wheel, velocity sensitivity and the master volume, and thats your lot. We told you Synplants interface was restrained Sound and summary The sound, however, is anything but restrained.
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